Hello and Happy New Year!
Last month, I turned in the manuscript for my new book The Art of Empathy, and it will be published in October! I’ll be posting weekly about empathy this year — about my work, about the empathy research being done in over half-a-dozen different academic disciplines, and about ways that you can work with each of the six essential aspects of empathy that I’ve defined and organized for my new book.
To start us off, let’s look at the first aspect of empathy, which must occur before the complex latter stages of empathy can occur, and that’s Emotion Contagion.
Before empathy can take place, you need to sense that an emotion is occurring – or that an emotion is expected of you. There is currently great debate about how emotion contagion occurs, and how you realize that emotions are required from you, but it is agreed that the process of empathy is dependent upon your capacity to feel and share emotions. Empathy is first and foremost an emotional skill.
As you think about your own emotional sensitivity — about your ability to pick up emotional and social cues from other people and to feel emotions alongside others — where would you place yourself on a scale of 1 (not particularly emotionally sensitive) to 10 (deeply emotionally sensitive)?
Those of us who are on the hyperempathic end of the scale tend to feel as if we are swimming in a sea of emotions, and if we don’t have a number of skills and supports underneath us, our strong Emotion Contagion skills can be pretty uncomfortable.
On the other hand, those of us on the less emotionally sensitive end of the scale can feel uncomfortable because we don’t feel as connected to people as others seem to be. We miss social cues and emotional undercurrent. We are often excluded from relationships because we don’t track with emotions in the way others do.
Surprisingly, the supports I suggest for people with low Emotion Contagion skills are similar to the ones I suggest for hyperempaths. Certainly, the Five Empathic Skills from The Language of Emotions (Grounding, Boundary-Setting, Burning Contracts, Conscious Complaining, and Rejuvenation) are helpful for people whose emotional awareness is currently low. But so is studying each emotion in order to understand why it arises, what it’s for, and how to work with it.
If you’re a hyperempath, understanding emotions as action-requiring neurological programs may save your sanity. But if your Emotion Contagion skills are currently low, this same understanding will help you create a workaround — you’ll be able to identify and work with emotions in a more intellectual way until your emotional sensitivity can catch up.
Your empathic skills are malleable
One of the most wonderful things I discovered in writing The Art of Empathy is that most of the aspects of empathy are malleable — changeable and manageable. If you’ve got excessive or under-exercised Emotion Contagion skills, there are ways to get them to the sweet spot where they’re enjoyable and workable for you.
There’s also a fun secret in Emotion Contagion: it’s one of the most important aspects of human interaction, but it also underlies your ability to appreciate art, music, literature, drama, science, mathematics, comedy, dance, movement, nonverbal communication, and animals. So as you think about your current Emotion Contagion skills, think about these nonhuman actors as well.
If you rate yourself very low on Emotion Contagion, but you have a deep passion for art, animals, science, or comedy (etc.), it’s likely that you’ve simply moved your Emotion Contagion skills into these areas and away from humans for the most part. This is something you can change, if you like.
On the other hand, if your human-based Emotion Contagion skills are hyper-developed and sometimes uncomfortable for you, you can support yourself by turning toward nonhuman actors — toward art, music, literature, drama, movement, science, mathematics, etc. — where your Emotion Contagion abilities can be managed more easily.
One of the things I stress in the book, and one of the reasons it’s called The Art of Empathy is that art is a specific healing activity for hyperempathic people — and it’s a specific learning and practice tool for people whose human-based empathy is currently low.
The empathic magic of art
Art is emotionally healing because it’s emotionally expressive. It’s a way for us to express and make tangible emotions, dreams, wishes, visions, and often wordless ideas that we might not even fully understand until we see, feel, or hear it as art.
Art can help us express things that cannot be expressed in our daily lives or through mundane channels. Art is a specifically healing activity for hyperempaths, and it’s a specific training ground for people who want to increase their empathic abilities. Art heals.
Art is also emotionally rich. For instance, there are some emotions that I really can’t express fully unless I sing or dance them. There are also some extremely complex emotional situations that I can’t understand fully until I write them out, often in a book-length work.
Art is specifically healing for hyperempaths for another important reason: It brings balance to their Emotion Contagion abilities. When a person is very emotionally receptive, it’s important to help them find an emotionally expressive practice so that they can balance all of the emotional input they receive.
If all you do is receive, receive, receive — and you have no healthy outlets for emotions and no place to express or work with emotions safely, you will probably burn out. In the book, I suggest that many people who rate themselves on the very low end of the Emotion Contagion scale may not be unempathic; in fact, they may be hyperempathic and burnt out. How can you tell?
If a person is not empathic with people, but has intense interests in art, music, science, or any of the other nonhuman actors, you’re probably looking at a hyperempath who is choosing to stay out of the whole human emotional mess right now. Fellow hyperempaths, I salute you.
But I have to ask: What is your art form right now?
Next week: Einfühlung and Empathy